How Films Change Perception Essay

There argon many modalitys in which pics or scoots may be stick art. Art can be expressed through color, angles, char kneader development, plot, blush scenery or all of these combined. In the movie Il Postino on that point is a certain art of the film which allows the mantrap to become go of the story, to celestial latitude in fill in as the characters fall in love, through the expression of words and moments.This paper ordain focus on how movies or films help in changing a soulfulnesss perspective through the use of characters, plot, scenery, tv camera angles, filter use, and the general ambience of a film, mainly focusing on Il Postino. A film is a gateway by which the viewing interview is immersed in another persons tone history which take ons their family, their culture, and their environment.Due to the relationship which the camera has with the character, the audience feels as though they too have a stick by with the protagonists of the film. By extension then, the characters life becomes the audiences reality. The brilliance of movies is that there ar so many ways in which to depict wide-ranging cultures and for each film there is a chance for the audience particle to exchange, expound, and change their own perspective in light of the information they argon given from the characters lives.It is through this part of the film, the expression of love in its divers(prenominal) and dynamic multidimensional forms that the mantrap is allowed to partake in the film, be spellbound with the characters and it is this that makes Il Postino an art film, and how it can change an audience elements own perspective. Films are not only taken as an art form, but they are also used in a cultural context in baffle to present to the viewing existence historical events. These historical events may be subject to biases such(prenominal) as in propaganda films (D.W. Griffiths Birth of a Nation) or they may present documentaries in which plan objectivis m is the point of the film (i. e. Bushs Brain). A film does not only cristal the viewer into different cultures but gives the world a chance to see the unfolding of history through the perspective of the people who lived through it such as films documenting the effects of Hiroshimas bomb, and the radiation which ensued directly afterwards with runner person accounts.Therefore the lens of history is unclouded with such unbiassed documentaries. Films are also a authority of therapy and identification. Some films are so profound in their depiction of a characters life that the audience portion completely identifies with that person and a sub-cult forms based on the movie. These sub-cults can be seen with the movies The Godfather, Rocky Horror Picture Show, or even Psycho.In these films an audience member can identify or inadequacy to encompass the way of life of these characters to such an finale that they may go and join the mafia, become transsexual, or even become an integral part of the Hitchcock fan base in which pure horror is the objective of the movie, Shots of chivalric manors lit by lightening, of shadows glimpsed under(a) doors, or of a hand coast along a banister, are examples of the spectacular means of horror they are the kind of devices that have been used so often that they have come to define the genre of the horror movie (White The Poetics of Horror 1).Thus, movies go beyond displaying forms of a culture and begin to instigate their own subcultures. More subcultures will form from a movie that is subjective in which the audience member can come closely to identifying with the main character. The objective films in which an more(prenominal) omnipresent perspective of the unfolding of the lives of the main characters is not warranted to becoming a sub cultural formation but has its own merits n wiztheless.In the way in which the main character Mario lives, in his net act of love for the poet Neruda is found this close perspective of th e film. It is not because the film is about verse that makes Il Postino an art film that audience members identify with but or else is it how the characters embrace their own personalities, their own loves and destinies that transforms the film from one of typical day-dream into great romance. The transformation of these two protagonists is the center of making this film art.Their responses to one another, their paradigm of poetry and love of life allow the viewer that voyeuristical look into the characters reality. This is what art does, this is why the movie is art. Even the final act of Beatrice giving Neruda Marios tape recorder is an act of poetry, a final salute the two friends past. The unfolding of their lives becomes a moving moment in the audience members lives as hale since the movie showed a close perspective of the protagonists lives.Films also have a heavy impact on a persons life when the point of the film is to present the audience with propaganda, especially du ring wartime. In the British side, the official task of the contend Propaganda Bureau headed by Lord Northcliffe was to shift the minds of the British into thinking that the wars look was to stop the nearing denouement the Germans and their allies created. Indeed, the war was molded in that concept and fed to the people. However, the extent of mid-altering and opinion-swaying came to an extent never before imagined.The meaning of propaganda clearly states that it the most effectual way of changing the mindsets and perceptions of people and only a powerful macrocosm can do such a thing, for no individual or governance can uphold and sp tell propaganda without sufficient resources. In the aim of altering or distorting the peoples emotions, a government has to travel along utmost carefulness in order to achieve its goal of unite together all the peoples sentiments and turning it into a field mindset.Propaganda is the intentional, organized attempt to mold perceptions, alter u nderstanding and dictate carriage to garner a response that will suffice the wishes of the propagandist. war propaganda was natural in the World War I. In a war, the side which employs a more powerful and thought-penetrating propaganda despite disadvantage in strength and in number, possesses the innate advantage. This was done to maintain the morale at home and be in perfect synchronization with allies abroad. The British propaganda was the most premium and was even highly regarded worldwide even by their German foes.Propaganda, as it was utilized in World War I, was the ruination of the human soul. The British were best at doing such defilement. Lumley (1933) stated that propaganda is the intentional effort to repair the minds and emotions of people. On the other hand, the Germans at the start of the war had experienced the closure of their governments own propaganda, the Spirit of 1914, as German propagandists do the citizens particularly the elite classes perceives the up coming war as a means of unifying the peoples of Europe. By the end of the war, the Germans saw it as a aloof memory and a misleading notion.There one could conclude regarding the bang contrasts between the propaganda of Britain and Germany. Germany, as well as the other nations of the Central Powers guide its people to believe that the war to be waged was to achieve a solemn cause whilst Britain led its people to see the war as a means to putting a halt to the advance of the German militaristic menace. To guarantee that no additional or unwanted knowledge flowed into the public and for the governments to at least give the people some information and for the sake of informing them, all sorts of information were filtered.Information media were tight and under scrutiny. Media, like the newspaper for instance, print filtered news that is sanctioned by the government because if otherwise, they will be the subject of penalties. The government made people read what they only want the m to read. For example in Britain, censorship was the key broker because newspapers were run by the media barons who were more than willing to cooperate. They helped print headlines which made emotions of the British civilians surge in anger, depicting Germans in utmost cruelty and project the German leaders as bellicose bullies.Inevitably, across in horse opera Europe the same was also happening in Germany, where the authorities propagandized the British as sadistic towards their German captives. In all of the countries, propaganda was also bed the altering of casualty figures which were lessened considerably to make the people affirmative of the outcome. Just as films are maneuvered to present a particular(prenominal) and altered point of view during a war, or a film presents the viewer with point of view perspective of a culture, so too does a film bring forth international cultures that reflect a specific country.This view point can be seen in films such as Amelie in which the protagonist searches the film through for a boy who dropped a picture book, and the reflection of quirky natures of the main characters is portrayed and the way in which the French easily examine sexuality in the film (as in the scene where the man works in a sex shop). Films are not only used to portray and represent different cultures to the audience but they may also be used for educational purposes.This goes beyond the scope of sex education films but can also include driving safely videos, or even military outfits gain teaching from a film on how to survive out in the wild. condescension all of the facets that a film may provide for an audience member be it differing views on culture, educational purposes, propaganda, the main purpose, and the one that makes all of the others obviously obsolete is that of the movies entertainment value. Audience members attend films in order to escape their own reality for a while, the immerse themselves in another persons perspective, their reality.Thus, movies perform a function in society of entertainment, of escapism, of fantasy, and that is their main appeal. Works Cited Carrol, Noel. Nightmare and the Horror Film The symbolical Biology of Fantastic Beings. Film Quarterly. Vol. 34, No. 3. pp16-25. Spring 1981. Cull, N. J. Selling War The British Propaganda Campaign against American Neutrality in World War II. London Oxford University Press. 1997. Il Postino. Blue Dahlia Productions. 1994. White, Dennis L. The Poetics of Horror More than Meets the Eye. movie house Journal Vol. 10, No. 2. pp1-18. Spring 1971.